Wednesday, November 18, 2009

The do's and don't of prom part 3

Don't promote the designer of the dress ( unless you are getting paid )


Do wear a black dress that will make you feel and look expensive

Don't go to prom looking like a cavewoman or that you had been attacked by wolves


Do feel gorgeous and young





The do's and don't of prom part 2

Do wear a garment that will make you feel like the prettiest girl in the room

Don't wear a dress that will make you stand out in the wrong way

Do stand out wearing a killer dress with great prints and colors

Don't do the Carmen Miranda look
Do the greek goddess look


The do's and don't of prom part 1


Prom is the time when a girl feels pretty and happy. This is the day that we feel more like a woman. It's the time to feel special!!!
Don't go to prom with the theme " I dream of Genie"

Do wear a dress that you will feel sexy and not trashy

Don't shop for your prom dress at the same place as the strippers

Do the girlie look

Don't do the princess theme of Disney


1940's the bombshell era


The 1940s saw two distinctive styles in women’s clothing. From the beginning of World War II in 1939 till the dawn of the New Look in 1947, women’s dresses were knee-length and featured padded shoulders – one of the few adornments in clothing that was otherwise simple, thanks to wartime rationing.

Sportswear became more common and women used a lot of ingenuity in mixing separates to make a wardrobe seem more diverse than it was. Homemade accessories and elaborate curls allowed women to show their flair without expense or waste.

Hats, especially made from fabrics recycled from older pieces, went wild.

Silhouettes were austere, but even in suits or factory overalls, curls and bright lipstick kept the look feminine. With jackets shorter, the peplum became hugely popular, helping to narrow the hips while showing off a trim waist.


Clothes were simple and practical, but women still managed to look attractive even during the hardest days of the war.

With the war over and materials available again, the Paris couturiers, who had been sidelined during the occupation of France, once again took the fashion helm.

Christian Dior pioneered the New Look, which featured a nipped waist, longer lengths and fuller skirts, with yards and yards of fabric used and a more classically feminine image created.

The women who had come to love the simplicity of the wartime styles protested, but this time, Paris won.